Mary and O'Neil (Book Review)
Justin Cronin's first novel is broken up into a collection of eight short stories about the love between parents, siblings, children and lovers.
The book doesn't begin with the title characters, but rather with O'Neil's parents, Arthur and Miriam. The entirety of the book is balanced on the early revelation of the sweet complexity of their love in life and death. Their death in the first story sets the tone for the rest of the stories, providing their children with both answers and more questions about love and loss.
Mary and O'Neil's love affair is one brought about by just these questions. Mary lives with the ghost of a child she aborted early on in the book, while O'Neil's parents live in his memory with such vitality that he actually tries to call them after the birth of his first child—only to unexpectedly have a sad and beautiful conversation with a lonely stranger. Cronin creates Mary and O'Neil as the answers to each other's questions. Even the names that Cronin picks for them overflow with a sense of completeness: "Mary" and "O'Neil," sound more like a first name and surname than two separate characters.
The surname as name only makes more sense when one considers O'Neil's presence in the book as father figure. It is O'Neil who develops as a source of strength for several characters in the book, anointing him the ultimate patriarch of this novel. Cronin is poetic and beautifully subtle when he baptizes O'Neil's relationship with the woman who completes him and gives him a first name. The baptism is complete when Mary is ready to walk down the aisle and it begins to rain. O'Neil looks at her and all the guests at their wedding and, Cronin writes, "in his heart he marries each one of them."
Cronin's style is delicate and full of purpose, just like all of the relationships between his characters. It is hard not to relate to this book in some way if you've ever loved someone, harder still to not find Cronin's prose captivating in its wisdom and sincerity.
The book doesn't begin with the title characters, but rather with O'Neil's parents, Arthur and Miriam. The entirety of the book is balanced on the early revelation of the sweet complexity of their love in life and death. Their death in the first story sets the tone for the rest of the stories, providing their children with both answers and more questions about love and loss.
Mary and O'Neil's love affair is one brought about by just these questions. Mary lives with the ghost of a child she aborted early on in the book, while O'Neil's parents live in his memory with such vitality that he actually tries to call them after the birth of his first child—only to unexpectedly have a sad and beautiful conversation with a lonely stranger. Cronin creates Mary and O'Neil as the answers to each other's questions. Even the names that Cronin picks for them overflow with a sense of completeness: "Mary" and "O'Neil," sound more like a first name and surname than two separate characters.
The surname as name only makes more sense when one considers O'Neil's presence in the book as father figure. It is O'Neil who develops as a source of strength for several characters in the book, anointing him the ultimate patriarch of this novel. Cronin is poetic and beautifully subtle when he baptizes O'Neil's relationship with the woman who completes him and gives him a first name. The baptism is complete when Mary is ready to walk down the aisle and it begins to rain. O'Neil looks at her and all the guests at their wedding and, Cronin writes, "in his heart he marries each one of them."
Cronin's style is delicate and full of purpose, just like all of the relationships between his characters. It is hard not to relate to this book in some way if you've ever loved someone, harder still to not find Cronin's prose captivating in its wisdom and sincerity.
posted by Mars at 2:12 PM
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